Concepts in Film Theory.
J. Dudley. Andrew
Bok Engelsk 1984 · Electronic books.
| Omfang | 1 online resource (254 pages)
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| Opplysninger | Intro -- Contents -- 1 The State of Film Theory -- Film Theory and the Academy -- The Direction of Modern Film Theory -- 2 Perception -- The Current Debate -- Theories of Perceptual Psychology -- Cinema and Perception -- 3 Representation -- The Worlds We Represent -- The World of and in Film -- The Ideology of Realist Representation -- Representation as Plot and Process -- 4 Signification -- The Ascendancy of Semiotics -- Semiotics and Realism -- Critique of Semiotics -- 5 Narrative Structure -- Narrative and Cinema -- A Survey of Narratology -- Beyond the Limits of Structuralism -- 6 Adaptation -- The Sources of Films -- Borrowing, Intersecting, and Transforming Sources -- The Sociology and Aesthetics of Adaptation -- 7 Valuation (of Genres and Auteurs) -- From Formalism to Genre Study -- Genre and the System -- Narration: The Voice in the System -- Hierarchies: Inside and Outside the System -- Film Theory as an Institution -- 8 Identification -- Why Psychoanalysis? -- The Secrets of Creation and Reception -- Desire in the Text -- Desire of the Text -- The Machinery and Mechanism of Identification -- Psychoanalysis and the Problem of Meaning -- 9 Figuration -- Figures as Events of Destructuration -- Between the Psyche and the System -- The Centrality of Interpretation in Film Theory -- 10 Interpretation -- Film Theory in the Tradition of Hermeneutics -- Two Hermeneutic Paths: Roland Barthes and Paul Ricoeur -- The Endless Claim of Interpretation -- Notes -- Appendix: Classified Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
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| ISBN | 9780198020516
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