A Companion to American Art : Companion to American Art.
John. Davis
Bok Engelsk 2015 · Electronic books.
| Omfang | 1 online resource (1686 pages)
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| Utgave | 1st ed.
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| Opplysninger | Cover -- Wiley Blackwell Companions to Art History -- Title page -- Copyright page -- Dedication page -- List of Figures -- Notes on Contributors -- Acknowledgments -- Introduction -- Writing American Art History -- Geographies: Rethinking Americanness -- Subjectivities -- Art and Public Culture -- Conclusion (An Opening) -- Part I: Writing American Art History -- Dialogue -- 1 A Conversation Missed -- Areas of Difference -- Case Study: Jackson Pollock -- Concluding Observations -- References -- 2 Response -- Mass/Popular Culture -- Formalism -- Material Culture -- Pragmatism -- References -- 3 A Time and a Place -- Race-ing Black Artists -- Seeing White -- The Ends of Race? -- Imagining a Post-Racial Art History -- And So, Where and When? -- References -- Dialogue -- 4 On the Social History of American Art -- Introduction -- The Marxist Social History of Art -- Marxist and "Marxian" Social Histories of American Art -- Conclusion -- References -- Acknowledgments -- 5 Response -- References -- Acknowledgments -- 6 The Maker's Share -- Close Analysis -- The How-To Book -- Reconstruction -- The Maker's Share -- Materiality -- The Social -- Theorizing Process -- Conclusion -- References -- Dialogue -- 7 The Problem with Close Looking -- References -- 8 Response -- "Deduction" as Intense Engagement -- Affective Encounters and Differentiations, or the Politics of Engaging Surfaces -- Racialized Ontologies of the Visual -- Messy Histories, Viscerally Felt -- Conclusion -- References -- Acknowledgments -- 9 Looking for Thomas Eakins -- References -- Dialogue -- 10 The Challenge of Contemporaneity, or, Thoughts on Art as Culture -- References -- 11 Response -- References -- Part II: Geographies: Rethinking Americanness -- 12 Teaching Across the Borders of North American Art History -- Why Co-Teach? -- The Entangled Classroom -- Looking Ahead -- References.. - 13 An American Architecture? -- Americanness? -- American? -- Can We Still Write About an American Architecture? -- References -- 14 The Pacific World and American Art History -- References -- 15 "Home" and "Homeless" in Art between the Wars -- References -- 16 Pueblo Painting in 1932 -- Awa Tsireh's Transcultural Line -- "An Art That Is Really American" -- Nationalism Undone in Venice -- Pueblo Mentors and Friends -- Reproductions and Multiples -- References -- Acknowledgments -- 17 US American Art in the Americas -- Settler Modernism in Latin America -- American Sources of Modern Art -- Conclusion -- References -- 18 Geography Lessons -- -- References -- 19 Only in America -- References -- 20 Monolingualism, Multilingualism, and the Study of American Art -- "the great car of English" -- In Other Words (Translations) -- From "English Only" to "English Plus" -- Forward (Foreword) -- References -- Acknowledgments -- Part III: Subjectivities -- 21 Painters and Status in Colony and Early Nation -- Portraits, History, Theory -- Artisanry and Enterprise -- Colonial Nationalism -- American Genius -- References -- 22 Pantaloons vs. Petticoats -- References -- 23 Male or Man? -- Precarious Freedom: John Quincy Adams Ward's The Freedman -- The Cult of Lincoln and Anonymized Slaves: Thomas Ball's Lincoln Memorial -- Institutional Exclusion and Material Castration: Edmonia Lewis's Forever Free -- Conclusion -- References -- 24 Drawing Boundaries, Crossing Borders -- -- References -- Acknowledgments -- 25 Lookout -- Mobilizing Desire -- The Missing Picture -- Riding History -- References -- 26 From Nature to Ecology -- Ecocritical Art History -- Ecology and Transnationalism -- Vital Matters: Things, Objects, and the Question of the Animal -- References -- 27 Art History as Collage -- References -- Acknowledgments -- Part IV: Art and Public Culture.. - 28 Material Religion in Early America -- References -- 29 Issues in Early Mass Visual Culture -- Developing a Canon -- Re-envisioning Mass Audience Reception -- References -- 30 Patrons, Collectors, and Markets -- -- Superficial and Substantial Consumption -- Passive and Active Consumers -- Conclusion -- References -- Acknowledgments -- Consuming Content and Form -- 31 Historicism in the American Built Environment -- Modernity's Historicism -- Historicism in the Early Republic -- The Invention of an American Tradition -- Modernism's Historicism -- History for Whom? -- References -- 32 The Painting of Urban Life, 1880-1930 -- References -- 33 Photography and Opium in a Nineteenth-Century Port City -- References -- 34 Value in the Vernacular -- Defining the Vernacular -- Robert Arneson, Up and Down -- Meditations on a Grain Elevator -- Erasing Edward Hopper -- References -- 35 Realism under Duress -- Earlier American Realisms -- Soviet Socialist Realism -- Reginald Marsh's Baroque Realism -- Philip Evergood's Expressionist Realism -- References -- Index -- End User License Agreement.. - A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes "Americanness," and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship.. - Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2021. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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| ISBN | 9781118542491
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