Against the avant-garde : Pier Paolo Pasolini, contemporary art, and neocapitalism /
Ara Merjian.
Bok Engelsk 2019 Ara H. Merjian
| Omfang | pages cm
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| Opplysninger | Includes index.. - Introduction -- Heretical Aesthetics -- Technical Sacrality/Heretical Aesthetics -- Against the Avant-Garde -- Communism, Humanism, Modernism -- Aesthetic Deceleration -- A Tradition of Antitradition -- One Abstraction: The Zero Degree of History -- Abstraction and Neocapital -- History, Rage, Painting -- Abstraction and/as Failed Revolution -- A Cinema of Poetry and Painting -- The Zero Moment of History -- Two Pop: A Mimesis of the Future -- Mass Culture and the Crisis of Communism -- Pop Polemics on the Left -- "All the World at Home" -- Objective Indifference/Pop Vernacular -- Pop, Politics, and the Ends of Irony -- The Division of History -- A Mimesis of the Future -- Three Arte Povera: Prehistory and the Aesthetics of "Contamination" -- An Irrational Marxism and the "Intimacy of 'Things'" -- Contamination, Craft, and the "Slang" of Matter -- The "Third World" between History and Prehistory -- Double Representation -- Phenomenology versus Frame -- and After: Cold War, Hot Autumn -- Four Performance: A Semiology of "Action" -- Body/Struggle -- Intellectual Flesh -- Intimacy and Exposure -- From What Is Fascism to Salò -- Performing the Pseudorevolution -- Conclusion Hopes and Alibis: Pasolini and Contemporary Art. - "This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
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| Emner | |
| Dewey | |
| ISBN | 9780226655277
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