Worldmaking as Techne: Participatory Art, Music, and Architecture
Alberto de Hosale Campo
Bok Engelsk
| Medvirkende | Hosale, Mark-David, (editor.)
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| Utgitt | Riverside Architectural Press
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| Omfang | 1 online resource (300 p.)
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| Opplysninger | Sonic and visual structures: theory and experiment / Nicolas Schöffer -- Causalities / Alberto de Campo -- An essay on worldmaking in plumbutter / Peter Blasser -- Art, surveillance, and metadata / James Coupe -- Perceptual ecologies: mine / Dan Overholt and Esben Bala Skouboe -- Towards probabilistic worldmaking: Xenakis, n-polytope and the cybernetic path to chaos / Chris Salter and Sofian Audry -- Machine heterogenesis / Felix Guattari -- Worldmaking as a conceptual framework for computational art / Mark-David Hosale -- Techné and dispositif of architecture / Sang Lee -- Experiencing the world: wearable technology and the umwelt / Laura Beloff -- Open worlds: Bergson and computational ontology / Graham Wakefield -- Beyond design: cybernetics, biological computers and hylozoism / Andrew Pickering -- Estranged space appropriated / Sana Murrani -- Sentient canopy: prototype for resilient, curious architecture / Philip Beesley -- On the dynamic relation between thought ontologies and materialised ontologies / Kathrine Elizabeth L. Johansson -- Towards a genealogy and futurology of art and technology: new media, contemporary art, collaboration / Edward Shanken -- The perception of the future and the future of perception / Heinz von Foerster.. - "Worldmaking as Techné: Participatory Art, Music, and Architecture attempts to outline a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realities as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of making. In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why. By positioning worldmaking as a kind of techné, we seek to create a discourse of art making as an enframing of the world that results in the expression of ontological propositions through the creation of art-worlds."--
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| Emner | |
| Dewey | |
| ISBN | 1-988366-26-7
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