Daphne du Maurier : writing, identity and the gothic imagination /


Avril Horner and Sue Zlosnik.
Bok Engelsk 1998 · Electronic books.
Medvirkende
Zlosnik, Sue, (author.)
Omfang
1 online resource (248 p.)
Utgave
1st ed. 1998.
Opplysninger
Description based upon print version of record.. - Cover; Contents; Acknowledgements; 1 A 'Disembodied Spirit': Writing, Identity and the Gothic Imagination; Writing, gender and anxiety; Sexuality, historical moment and identity; Du Maurier and the Gothic: disembodied spirits?; 2 Family Gothic; Cornish beginnings: The Loving Spirit; The 'split subject': I'll Never be Young Again; The 'other' and the 'foreign': The Progress of Julius; 3 Cornish Gothic; Transgression and Desire: Jamaica Inn; 'The Boy in the Box': The King's General; 4 The Secrets of Manderley: Rebecca; 5 Foreign Affairs; 'Nightmère': My Cousin Rachel. - The stranger in the mirror: The Scapegoat6 Murdering (M)others; Homecomings: The Flight of the Falcon; Deaths in Venice: 'Don't Look Now'; Endword; Notes and References; Select Bibliography; Index. - Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first critical study of du Maurier as a Gothic writer. Horner and Zlosnik argue that the fears at the heart of du Maurier's Gothic fictions reflect both personal and broader cultural anxieties concerning sexual and social identity. Using the most recent work in Gothic and gender studies they enter the current debate on the nature of Female Gothic and raise questions about du Maurier's relationship to such a tradition.
Emner
Sjanger
Dewey
ISBN
0-230-37877-3. - 1-283-65203-X

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