The Cambridge handbook of the imagination


edited by Anna Abraham.
Bok Engelsk 2020 · Electronic books.

Medvirkende
Abraham, Anna, (editor.)
Omfang
1 online resource (xxii, 842 pages) : : digital, PDF file(s).
Opplysninger
Title from publisher's bibliographic system (viewed on 26 May 2020).. - Cover -- Half-title page -- Title page -- Copyright page -- Dedication -- Contents -- List of Figures -- List of Contributors -- Acknowledgments -- 1 Surveying the Imagination Landscape -- Part I Theoretical Perspectives on the Imagination -- 2 The Evolution of a Human Imagination -- 3 Material Imagination: An Anthropological Perspective -- 4 The Archaeological Imagination -- 5 Philosophical Perspectives on Imagination in the Western Tradition -- 6 Imagination in Classical India: A Short Introduction -- 7 From Prediction to Imagination -- 8 Memory and Imagination: Perspectives on Constructive Episodic Simulation -- 9 Capturing the Imagination -- 10 A Sociocultural Perspective on Imagination -- 11 Artificial Intelligence and Imagination -- Part II Imagery-Based Forms of the Imagination -- 12 The Visual Imagination -- 13 Musical Imagery -- 14 Neurophysiological Foundations and Practical Applications of Motor Imagery -- 15 Temporal Mental Imagery -- 16 Emotional Mental Imagery -- 17 Multisensory Perception and Mental Imagery -- 18 Evocation: How Mental Imagery Spans Across the Senses -- Part III Intentionality-Based Forms of the Imagination -- 19 Continuities and Discontinuities Between Imagination and Memory: The View from Philosophy -- 20 Imagining and Experiencing the Self on Cognitive Maps -- 21 The Neuroscience of Imaginative Thought: An Integrative Framework -- 22 Imagination and Self-Referential Thinking -- 23 Imaginary Friends: How Imaginary Minds Mimic Real Life -- 24 Imagination and Moral Cognition -- 25 Moral Reasoning: A Network Neuroscience Perspective -- 26 The Future-Directed Functions of the Imagination: From Prediction to Metaforesight -- Part IV Novel Combinatorial Forms of the Imagination -- 27 On the Interaction Between Episodic and Semantic Representations - Constructing a Unified Account of Imagination.. - 28 How Imagination Supports Narrative Experiences for Textual, Audiovisual, and Interactive Narratives -- 29 Development of the Fantasy-Reality Distinction -- 30 Imagining the Real: Buddhist Paths to Wholeness in Tibet -- 31 Hypothetical Thinking -- 32 The Counterfactual Imagination: The Impact of Alternatives to Reality on Morality -- 33 A Look Back at Pioneering Theories of the Creative Brain -- Part V Phenomenology-Based Forms of the Imagination -- 34 Imagination in the Philosophy of Art -- 35 Imagination in Aesthetic Experience -- 36 The Arts and Human Symbolic Cognition: Art is for Social Communication -- 37 Aesthetic Engagement: Lessons from Art History, Neuroscience, and Society -- 38 Dance and the Imagination: Be a Butterfly! -- 39 Imagination, Intersubjectivity, and a Musical Therapeutic Process: A Personal Narrative -- Part VI Altered States of the Imagination -- 40 Dreaming: Beyond Imagination and Perception -- 41 Dreaming is Imagination Roaming Freely, Based On Embodied Simulation, and Subserved by an Unconstrained Default Network -- 42 Aphantasia -- 43 Hypnosis and Imagination -- 44 Hallucinations and Imagination -- 45 The Psychiatry of Imagination -- 46 Meditation and Imagination -- 47 Flow in Performance and Creative Cognition - An Optimal State of Task-Based Adaptation -- 48 The Force of the Imagination -- Name Index -- Subject Index.. - The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.
Emner
Sjanger
Dewey
ISBN
1-108-58029-7

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