From Scratch : Writings in Music Theory
James. Tenney
Bok Engelsk 2015 · Dikt
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| Utgitt | : : University of Illinois Press, , 2015.
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| Omfang | 1 online resource (505 p.)
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| Opplysninger | Description based upon print version of record.. - Cover; Title; Copyright; Contents; Acknowledgments; Notes on the Edition; Introduction by Larry Polansky; 1.On the Development of the Structural Potentialities of Rhythm, Dynamics, and Timbre in the Early N; 2. Meta / Hodos (1961); 3. Computer Music Experiences, 1961-1964 (1964); 4. On the Physical Correlates of Timbre (1965); 5. Excerpts from "An Experimental Investigation of Timbre-the Violin" (1966); 6. Form in Twentieth-Century Music (1969-70); 7. META Meta / Hodos (1975); 8. The Chronological Development of Carl Ruggles's Melodic Style (1977). - 9 Hierarchical Temporal Gestalt Perception in Music A Metric Space Model (with Larry Polansky) (197810. Introduction to "Contributions toward a Quantitative Theory of Harmony" (1979); 11. The Structure of Harmonic Series Aggregates (1979); 12. John Cage and the Theory of Harmony (1983); 13. Reflections after Bridge (1984); 14. Review of Music as Heard by Thomas Clifton (1985); 15. About Changes: Sixty-Four Studies for Six Harps (1987); 16. Darmstadt Lecture (1990); 17. The Several Dimensions of Pitch (1993/2003); 18. On "Crystal Growth" in Harmonic Space (1993/2003); 19. About Diapason (1996). - Appendix 1. Pre-Meta / Hodos (1959)Appendix 2. On Musical Parameters (ca. 1960-61); Appendix 3. Excerpt from A History of 'Consonance' and 'Dissonance' (1988); Publication History; Notes; Index
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| ISBN | 9780252038723
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