Deleuze and Film Music : Building a Methodological Bridge between Film Theory and Music


Gregg. Redner
Bok Engelsk 2010 · Electronic books.
Utgitt
Bristol : : Intellect, , 2010.
Omfang
1 online resource (204 p.)
Opplysninger
Description based upon print version of record.. - Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References. - Corpus of FilmsFilms Cited In Text. - The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film
Emner
Deleuze, Gilles : (NO-TrBIB)90101678
East of Eden (film) : (NO-TrBIB)11033209
East of Eden : (NO-TrBIB)11033209
Gamlet (film) : (NO-TrBIB)11033206
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Dewey
ISBN
9781841503707

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