Sound and literature
edited by Anna Snaith.
Bok Engelsk 2020 · Electronic books.
| Medvirkende | Snaith, Anna, (editor.)
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|---|---|
| Omfang | 1 online resource (xvi, 424 pages) : : digital, PDF file(s).
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| Opplysninger | Title from publisher's bibliographic system (viewed on 01 Jun 2020).. - Introduction: Anna Snaith -- Part I. Origins: Chapter 1. Hearing and the Senses / Sam Halliday -- Chapter 2. Fragments on/of Voice / David Nowell Smith -- Chapter 3. Sonic Forms: Ezra Pound's Anti-Metronome Modernism in Context / Jason David Hall -- Chapter 4. Classical Music and Literature / Gemma Moss -- Chapter 5. Aesthetics, Music, Noise / Brad Bucknell -- Part II. Development: Chapter 6. Literary Soundscapes / Helen Groth -- Chapter 7. Noise / James G. Mansell -- Chapter 8. 'Lost In Music': Wild Notes and Organized Sound / Paul Gilroy -- Chapter 9. Media History and Sound Technology / Julie Beth Napolin -- Part III: Applications. Chapter 10. What We Talk About When We Talk About Talking Books / Edward Allen -- Chapter -- 11. Prose Sense and Its Soundings / Garrett Stewart -- Chapter 12. Dissonant Prosody / A. J. Carruthers -- Chapter 13. Deafness and Sound / Rebecca Sanchez -- Chapter 14. Vibrations / Shelley Trower -- Chapter 15. Feminism and Sound / Ella Finer -- Chapter 16. Wireless Imaginations / Debra Rae Cohen -- Chapter 17. Attending to Theatre Sound Studies and Complicite's The Encounter / Adrian Curtin -- Chapter 18. Bob Dylan and Sound: A Tale of the Recording Era / Barry J. Faulk.. - What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.
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| ISBN | 9781108855532
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