The Psychophysical Ear : Musical Experiments, Experimental Sounds, 1840-1910.
Alexandra. Hui
Bok Engelsk 2002 · Electronic books.
Utgitt | Amsterdam ; Boston : : Butterworth-Heinemann, , c2002.
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Omfang | 1 online resource (256 pages)
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Utgave | 1st ed.
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Opplysninger | Intro -- Transformations: Studies in the History of Science and Technology -- Contents -- Acknowledgments -- Introduction -- 1 Gustav Fechner, the Day View, and the Origins of Psychophysics -- 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann -- 3 Sound Materialized and Music Reconciled: Hermann Helmholtz -- 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke -- 5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the Field -- Coda -- Appendix -- Notes -- References -- Index.. - An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria.
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Emner | |
Sjanger | |
Dewey | |
ISBN | 0750699353
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