The promise of cinema : German film theory, 1907--1933
edited by Anton Kaes, Nicholas Baer, and Michael Cowan
Bok Engelsk 2016
| Medvirkende | |
|---|---|
| Utgitt | Oakland : University of California Press , 2016
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| Omfang | 1 Online-Ressource
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| Opplysninger | Description based upon print version of record. - 16. Albert Hellwig, Illusions and Hallucinations during Cinematographic Projections (1914) -- 2. The World in Motion -- 17. H. Ste., The Cinematograph in the Service of Ethnology (1907) -- 18. O. Th. Stein, The Cinematograph as Modern Newspaper (1913-14) -- 19. Hermann Häfker, Cinema and Geography: Introduction (1914) -- 20. Yvan Goll, The Cinedram (1920) -- 21. Hans Schomburgk, Africa and Film (1922) -- 22. Franc Cornel, The Value of the Adventure Film (1923) -- 23. Béla Balázs, Reel Consciousness (1925). - 24. Colin Ross, Exotic Journeys with a Camera (1928) -- 25. Anon., Lunar Flight in Film (1929) -- 26. Lotte H. Eisner, A New India Film: A Throw of Dice (1929) -- 27. Erich Burger, Pictures-Pictures (1929) -- 28. Alfred Polgar, The Panic of Reality (1930) -- 29. Béla Balázs, The Case of Dr. Fanck (1931) -- 30. Siegfried Kracauer, The Weekly Newsreel (1931) -- 3. The Time Machine -- 31. Ludwig Brauner, Cinematographic Archives (1908) -- 32. Berthold Viertel, In the Cinematographic Theater (1910). - 33. Eduard Bäumer, Cinematograph and Epistemology (1911) -- 34. Franz Goerke, Proposal for the Establishment of an Archive for Cinema-Films (1912) -- 35. J. Landau, Mechanized Immortality (1912) -- 36. Heinrich Lautensack, Why?-This Is Why! (1913) -- 37. E. W., The Film Archive of the Great General Staff (1915) -- 38. Hans Lehmann, Slow Motion (1917) -- 39. Friedrich Sieburg, The Transcendence of the Film Image (1920) -- 40. August Wolf, Film as Historian (1921) -- 41. Fritz Lang, Will to Style in Film (1924). - 42. Siegfried Kracauer, Mountains, Clouds, People (1925). - 7. Karl Hans Strobl, The Cinematograph (1911) -- 8. Ph. Sommer, On the Psychology of the Cinematograph (1911) -- 9. Hermann Kienzl, Theater and Cinematograph (1911) -- 10. Adolf Sellmann, The Secret of the Cinema (1912) -- 11. Arno Arndt, Sports on Film (1912) -- 12. Carl Forch, Thrills in Film Drama and Elsewhere (1912-13) -- 13. Lou Andreas-Salomé, Cinema (1912-13) -- 14. Walter Hasenclever, The Kintopp as Educator: An Apology (1913) -- 15. Walter Serner, Cinema and Visual Pleasure (1913). - Cover -- THE PROMISE OF CINEMA -- Title -- Copyright -- Contents -- Acknowledgments -- User's Guide -- Introduction -- SECTION ONE. TRANSFORMATIONS OF EXPERIENCE -- 1. A New Sensorium -- 1. Hanns Heinz Ewers, The Kientopp (1907) -- 2. Max Brod, Cinematographic Theater (1909) -- 3. Gustav Melcher, On Living Photography and the Film Drama (1909) -- 4. Kurt Weisse, A New Task for the Cinema (1909) -- 5. Anon., New Terrain for Cinematographic Theaters (1910) -- 6. Anon., The Career of the Cinematograph (1910). - Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongs. - Online-Ausg.
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| Emner | |
| Geografisk emneord | Tyskland : (NO-TrBIB)HUME03491
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| Dewey | |
| ISBN | 9780520219076. - 9780520219083
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