Vocal Rescue : Rediscover the Beauty, Power and Freedom in Your Singing
Lois. Alba
Bok Engelsk 2005 · Electronic books.
| Utgitt | Burlington : : Elsevier Science, , 2005.
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| Omfang | 1 online resource (298 p.)
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| Opplysninger | Description based upon print version of record.. - Cover image; Title page; Table of Contents; Copyright; Inside Front Cover; Dedication; Inside Front Cover; About the Author; Preface; An Introduction to Bel Canto; Part 1: THE SECRETS TO BEAUTIFUL SINGING; Chapter 1: Introduction to The Secrets to Beautiful Singing (Bel Canto); Chapter 2: Breathing; Breath Support; Posture; Ease of Breath; Adequate Breath; The Breath Initiates the Tone; Breathe When You Breathe and Sing When You Sing; Chapter 3: Resonance; What Is Resonance?; How and Where Does the Voice Resonate?; Blocks to Resonation; The Ear Regulates the Tone. - Acquiring the Ideal ResonanceVowels and Timbre and Their Effect on Resonance; In Conclusion; Chapter 4: Registers; Explaining Registers and Passaggi; Negotiating the Passaggi; Ascending to High Notes, and Descending; Blending the Registers; Chapter 5: Vowels and Timbre; Conceiving of Vowels and Tone as One Sound; Mental Vowel Shaping; Vowel Modification; Timbre, Phonation, and Harmonics; Vowel Scale versus Vocal Scale; Consonants and Articulation; Consonants with Vowels; Chapter 6: Legato; Portamento; Sustained and Repeated Notes; Messa di Voce; Chapter 7: Agility; Staccato; Phrasing. - Blending of the Registers: 1st Part of the Decrescendo. - Chapter 8: Recitatives and CadenzasRecitatives; Cadenzas; Part 2: VOICE FREEDOM; Chapter 9: Introduction to Voice Freedom; Chapter 10: Discovering Your Voice; Training Your Voice with the Ear; Listening to Other Singers; Applying These Vocal Principles to Popular Music; Chapter 11: Releasing Your Creativity; Ten Myths About the Art of Singing; Correlation of the Seven Principles of the Art of Leonardo Da Vinci to Singing; Part 3: A COLLECTION OF RARE AND ORIGINAL VOCALISES; Chapter 12: Introduction to A Collection of Rare and Original Vocalises; Chapter 13: Introduction to the Vocalises. - The Scale and PassaggiZones of the Passaggio; Voice Ranges for Transposing; Chapter 14: Vocalises of Lois Alba; Vocalise One: Humming Exercise; Vocalise Two: The Vowels; Vocalise Three: Droning, for Smoothness; Vocalise Four: A Study in Triplets, for Elasticity; Vocalise Five: Ponselle's "Moo" Exercise; Vocalise Six: For Legato and Staccato; Vocalise Seven: The Rabbit Jumping Exercise; Vocalise Eight: For Developing Legato in Scales; Vocalise Nine: Ponselle's Exercise with Italian Words; Vocalise Ten: For Equalizing the Voice Throughout the Range. - Vocalise Eleven: For Feeling the Voice as a WholeVocalise Twelve: A Great Equalizer; Original Exercise from Rosa Ponselle; On the Study of Cadenzas; Portamento; A Well Known Vocalise; Chapter 15: Vocalises of Giovanni Battista Rubini (1794-1854); For Even and Sustained Notes and Portamento; Chapter 16: Vocalises of Luigi Lablache (1794-1858); The Divisions of the Voice; The Registers of the Voice; A Study of Cadenzas; Exemples Démonstratifs; Chapter 17: Vocalises of Enrico Delle Sedie (1822-1907); The Phonic Shades Inherent to the Vocal Scale. - ""Lois Alba is a master teacher, ...I have never seen a vocal instructor who got such remarkable results in such a short time."" - Irene Dalis, General Director, Opera San Jose Achieving a successful singing career, especially in opera, can seem almost impossible to many singers because of fear of high notes, lack of projection, and confusion on how to express the music unhampered by technical preoccupation. Master Teacher and accomplished opera singer Lois Alba is aware of these pitfalls. She knows the best teaching involves an acute sense of the art form based on sound, intu
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| Emner | Singing - Instruction and study
Music Instruction & Study Music Music, Dance, Drama & Film vokalmusikk solostemmen |
| Sjanger | |
| Dewey | |
| ISBN | 0815515065
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