The Quilting Points of Musical Modernism : Revolution, Reaction, and William Walton
J. P. E. Harper-Scott
Bok Engelsk 2012 · Electronic books.
| Annen tittel | |
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| Medvirkende | Harper-Scott, J. P. E. (Author)
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| Utgitt | Cambridge : Cambridge University Press , 2012
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| Omfang | 1 online resource (301 p.)
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| Opplysninger | Description based upon print version of record.. - Cover; The Quilting Points of Musical Modernism; Series editors; Title; Copyright; Dedication; Contents; Illustrations; Preface; The structure of the book; On communism and musicology; Acknowledgements; PART I A ruthless criticism of everything existing; 1 Modernism as we know it, ideology, and the quilting point; 1.1 Taruskin's erasure of modernism; 1.2 The xenophobic-capitalist quilting point; 1.3 Traversing the ideological; 1.4 Quilted history 1: maximalization as minimalization; 1.5 Quilted history 2: the triumph of American capitalism; 1.6 Technical definitions of modernism. - 1.7 Presence and presencingPART II Relationship problems; 2 Modernism, love, and truth; 2.1 Troilus, Cressida, and takeaway sex; 2.2 Coke and sex; 2.3 Love as supplement/excess; 2.4 Ideology, the count, and the void; 2.5 Three theses of sexed positions: segregative, humanistic, and Aristophanean; 2.6 Wagnerian music drama and the excision of u; 2.7 The two movements of love; 2.8 Creating subjects: men, women, and Schoenberg; 2.9 Schenker, Eroica, and the emancipation of dissonance; 2.10 Forcing: serialism as veridical in the situation 'to come'; 3 The love of Troilus and Cressida. - 3.1 The plot3.2 The politics of pornography; 3.3 Sacred and profane; 3.4 Whatever; 3.5 'Newfangelnesse'; 3.6 Cressida's barred subjectivity; 3.7 Psychoanalytic objects; 3.8 Tristanesque objects of desire; 3.9 Gendering Cressida and Troilus; 3.10 Resisting interpellation; 3.11 Betrayal is love; PART III The revolutionary kernel of reactionary music; 4 Communist modernism; 4.1 Walton in the sequences of communism; 4.2 Walton's 'modernism'; 4.3 Truths, bodies, and traces; 4.4 Faithful subjects; 4.5 Reactive subjects; 4.6 Obscure subjects; 4.7 Resurrection; 4.8 Why emancipation of dissonance?. - 4.9 Types of faithful and reactive modernist subjects4.10 Of which truth is the emancipation of dissonance the trace?; 4.11 The obscure subject of musical modernism; 4.12 Ethnomusicology and pop musicology as class enemies; 5 A new community; 5.1 Truth and the four conditions; 5.2 Art as a happening of truth; 5.3 Art and appropriation; 5.4 Dwelling in art and the world; 5.5 Walton's reactive dwelling; 5.6 The Klang, ¬ε, and the community; 5.7 Extinguishing the post-war present; 5.8 Rotation and minimally emancipated dissonant sonorities; 5.9 The profitable failure of Schenkerian analysis. - 5.10 The motion from the faithful to the reactive subjectAfterword: what to do?; Bibliography; Index. - A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.
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| Emner | |
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| ISBN | 9780521765213
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