Music, madness, and the unworking of language
John T. Hamilton
Bok · Engelsk · 2013
| Annen tittel | |
|---|---|
| Omfang | XVIII, 252 sider
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| Opplysninger | A Note on Translations and Abbreviations - Hors d'ouvre - I Introduction: The Subje of Music and Madness - 1. Hearing Voices - Sirens at the Palais Royal - Between the Infinite and the Infinitesimal Excursus: The Howl of Marsyas - Socratic Energy - 2. Unequal Song - Music and the Irrational - Mimesis: Cratylus and the Origin of Language - Identity and Difference - Crisis at the Cafe de la Regence - Satire, Inequality, and the Individual - Concluding Remarks - 3. Resounding Sense - A Break in the Grand Confinement - The Emergence of the Mad Musician - Empfindsamkeit - Hegel's Reading of Le neveu - Sentiment de l'existence - 4. The Most Violent of the Arts - The Musical Sublime in Longinus and Burke - Kant's Abdication - Community and Herder's Conception of Music - Wackenroder's Berglinger Novella - 5. With Arts Unknown Before Kleist and the Power of Music - Music, Reflection, and Immediacy in Kleist's Letters - Die Heilige Cacilie oder die Gewalt der Musik - Self-Representation - 6. Before and After Language: Hoffmann - The Designative and Disclosive Functions of Language: Kreisleriana - The Uses of Form - Emptying Out Into Form: Julia Mark and the "Berganza" Dialogue - Euphony and Discord: "Ritter Gluck" - Postscriptum: "Rat Krespel" - Praescriptum: Kater Murr - Hors d'ouvre II - Notes - Bibliography - Index.
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| Emner | |
| Dewey | |
| ISBN | 9780231142205. - 9780231142212
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