1975 : the year the world forgot
Dylan Jones
Bok · Engelsk · 2025
| Omfang | 358 sider : illustrasjoner i farger
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| Opplysninger | I 1975: The Year the World Forgot av Dylan Jones brukes 1975 som prisme for å vise et musikalsk vendepunkt – mellom glam og prog på den ene siden og punk, disco og ny pop på den andre. Boka er intervju- og sitatdrevet, så mange artister dukker opp gjennom samtidige stemmer. Her er de mest sentrale artistene og bandene som omtales (utvalg): 🎸 Rock & etablerte superstjerner Led Zeppelin Pink Floyd The Rolling Stones David Bowie Elton John Queen Bruce Springsteen ⚡ Fremveksten av punk 1975 beskrives som året før eksplosjonen – men scenen er i ferd med å formes: Sex Pistols The Clash The Ramones Patti Smith 🪩 Disco & soul Donna Summer Bee Gees Barry White 🎤 Singer-songwriters & artrock Bob Dylan Joni Mitchell Roxy Music Brian Eno 🌍 Andre sentrale navn som dukker opp ABBA The Who Fleetwood Mac Boka handler ikke bare om musikk – også film, mote og politikk veves inn – men musikkdelen er sentral og viser 1975 som et kulturelt vippepunkt: fra stadionrock og overflod til DIY, råhet og nye uttrykk.. - There is a myth that the long, dark days before punk were full of legions of British prog rock groups; that the likes of Yes, Genesis, King Crimson, Emerson Lake & Palmer and Jethro Tull roamed the land, soiling the culture like university-educated Orcs. Wrong. The mid-seventies were dense with extraordinarily sophisticated, mature rock music made by singers, songwriters and musicians who had no problem calling themselves artists. And the records they made aspired to artistic status: everyone was trying to make their own masterpiece, and the sense of competitiveness was like something not seen since the mid-sixties. Three-minute pop singles had given way to concept albums and pop-package tours had been supplanted by rock festivals, and rock in general had a renewed sense of ambition. 1975 was the apotheosis of the adult pop, the most important year in the narrative arc of post-war music, and a year that was rich with masterpieces: Blood on the Tracks by Bob Dylan, The Who by Numbers by the Who, Young Americans by David Bowie, Another Green World by Brian Eno, The Hissing of Summer Lawns by Joni Mitchell and A Night at the Opera by Queen, amongst countless other legendary albums. These records were magisterial; records that couldn't be bettered. Who could realistically make a more sophisticated album than The Hissing of Summer Lawns? Or a more complex hard-rock album than Physical Graffiti? Or indeed a record as unimpeachable and as prescient as Horses? 1975, as Dylan Jones expertly illustrates, was the greatest year of them all.
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| Emner | |
| Dewey | |
| ISBN | 9781408721988
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| Hylleplass | 781.64 JON
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