Music, Madness, and the Unworking of Language.
Bok · Engelsk · 2008
| Utgitt | New York, N.Y. : : Columbia University Press, , 2008.
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| Omfang | 252 p.
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| Opplysninger | A Note on Translations and AbbreviationsHors d'ouvre IIntroduction: The Subje of Music and Madness1. Hearing VoicesSirens at the Palais RoyalBetween the Infinite and the InfinitesimalExcursus: The Howl of MarsyasSocratic Energy2. Unequal SongMusic and the IrrationalMimesis: Cratylus and the Origin of LanguageIdentity and DifferenceCrisis at the Cafe de la RegenceSatire, Inequality, and the IndividualConcluding Remarks3. Resounding SenseA Break in the Grand ConfinementThe Emergence of the Mad MusicianEmpfindsamkeitHegel's Reading of Le neveuSentiment de l'existence4. The Most Violent of the ArtsThe Musical Sublime in Longinus and BurkeKant's AbdicationCommunity and Herder's Conception of MusicWackenroder's Berglinger Novella5. With Arts Unknown Before Kleist and the Power of MusicMusic, Reflection, and Immediacy in Kleist's LettersDie Heilige Cacilie oder die Gewalt der MusikSelf-Representation6. Before and After Language: HoffmannThe Designative and Disclosive Functions of Language: KreislerianaThe Uses of FormEmptying Out Into Form: Julia Mark and the "Berganza" DialogueEuphony and Discord: "Ritter Gluck"Postscriptum: "Rat Krespel"Praescriptum: Kater MurrHors d'ouvre IINotesBibliographyIndex.
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| Dewey | |
| ISBN | 0231142218. - 9780231142205. - 9780231142212. - 9780231512541
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