The observer effect : on contemporary painting
Barry Schwabsky
Bok · Engelsk · 2019
| Annen tittel | |
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| Omfang | 315 sider
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| Opplysninger | Editor's foreword -- Painting : In the interrogative mode -- Four shades of white : Ha Chong Hyun among others -- Color and its names : Joseph Marioni's approximately monochromatic paintings -- The 1 percent solution : Bernard Frize behind the surface -- Afterword to stripe painting : Karin Davie and feminism -- The invisible breath : Francesco Polenghi comes up for air -- Intimate convictions : Aspects of Juan Uslé -- Everyday painting : political-erotic-mystical -- Picturehood is powerful : John Currin, Catherine Howe, and Lisa Yuskavage -- Glimpses past the edge : Peter Doig's mysterious spaces -- Apparently ordinary : The stubborn art of Lois Dodd -- Framing the view : Maureen Gallace and the unknowable -- This is what things look like : Alex Katz in the present -- Blackness as code : Karry James Marshall's enigmatic authority -- Strange reversals : Nicole Eisenman's path to genius -- The painter and his double : Tal R meets Shlomo -- Perceptibility : Ellen Altfest looks back -- Sheer sensation : Photographically based painting and modernism -- The observer effect : Changing art history -- Abandoning painting and painting with abandon : Tsibi Geva and the Readymade -- Painting betrayed : Arnaldo Roche Rabell's technique -- "Violent, cartoonish, obscene, voracious" : Sue William's project for a new century -- Abolished still life : Lesley Vance and darkness -- Human presence : Nicola Tyson and the other homunculus -- Between painting and picture : Dana Schutz entertains herself -- No laughing matter : Werner Büttner -- A separate look : Apostolos Georgiou's predicaments -- Object or project? : A critic's reflections on the ontology of art -- A conversation with Andrew Hunt.
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| Emner | |
| Dewey | |
| ISBN | 9783956794605
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