Elements of sonata theory : norms, types, and deformations in the late-eighteenth-century sonata
James A. Hepokoski
Bok · Engelsk · 2006
| Utgitt | Oxford : Oxford University Press , 2011
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| Omfang | XXIX, 661 s. : illustrasjoner, musikk
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| Utgave | 1st paperback edition
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| Opplysninger | 1. Contexts -- 2. Sonata forms as a whole: foundational considerations -- 3. The medial caesura and the two-part exposition -- 4. The continuous exposition -- 5. The primary theme -- 6. The Transition (TR) -- 7. The secondary theme (S) and essential expositional closure: initial considerations -- 8. S-Complications: EEC defferal and apparent double medial caesuras (TMB) -- 9. The closing zone (C) -- 10. The development (developmental space) -- 11. The recapitulation (recapitulatory space; recapitulatory rotation) -- 12. Non-normative openings of the recapitulatory rotation: alternatives and deformations -- 13. Parageneric spaces: coda and introduction -- 14. Sonata form in minor keys -- 15. The three-and four-movement sonata cycle -- 16. Sonata types and the type 1 sonata -- 17. The type 2 sonata -- 18. Rondos and the type 4 sonata -- 19. The type 5 sonata: fundamentals -- 20. The type 5 sonata: Mozart's concertos (R1: the opening ritornello) -- 21. The type 5 sonata: Mozart's concertos (Solo and larger expositions: solo 1 + ritornello 2) -- 22. The type 5 sonata: Mozart's concertos (development and recapitulation: from solo 2 through ritornello 4) -- App. 1. Some grounding principles of sonata theory -- App. 2. Terminology: "rotation" and "deformation."
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| Emner | |
| ISBN | 978-0-19-977391-6
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