Postwar Italian art history today : untying 'the knot'
edited by Sharon Hecker and Marin R. Sullivan
Bok · Engelsk · 2018
| Medvirkende | |
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| Omfang | xviii, 302 sider : illustrasjoner
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| Opplysninger | "Yes, but are you Italian?" Considering the legacy of Italianità in postwar and contemporary Italian art / Laura Petican-- Learning from artists : methodological notes on postwar Italian art history / Denis Viva -- Gianni Pettena and Ugo La Pietra : crossing the boundaries between theory and practice / SIlvia Bottinelli -- Our Lady of Warka : Gino De Dominicis and the search for immortality / Gabriele Guercio -- Transatlantic exchanges. Piero Dorazio : non-objective art vs. abstract expressionism? / Davide Colombo -- Gleaning Italian pop, 1960-6 : the 1964 Venice Biennale, Renato Mambor's "Thread," and pop as a global phenomenon / Christopher Bennett -- Photography, visual poetry, and radical architecture in the early works of Franco Vaccari / Nicoletta Leonardi -- Buying Marino Marini : the American market for Italian art after World War II / Antje K. Gamble -- A house no longer divided : patronage, pluralism, and creative freedom in Italian pre- and postwar art / Laura Moure Cecchini -- Co-research and art : Danilo Montaldi's horizontal production of knowledge / Jacopo Galimberti-- Shaping and reshaping : private and institutional patronage / Martina Tanga -- Isolated fragments? Disentangling the relationship between Arte Povera and Medado Rosso / Sharon Hecker -- Gilberto Zorio's radical fluidity / Elizabeth Mangini -- Summer solstice AD MCMLXIII : Luciano Fabro's early works / Giorgio Zanchetti -- Transatlantic Arte Povera / Raffaele Bedarida. - Postwar Italian Art History Today brings fresh critical consideration to the parameters and impact of Italian art and visual culture studies of the past several decades. Inspired by the thirty-year anniversary of curator Germano Celant's landmark exhibition at PS1 in New York - The Knot - this volume presents innovative case studies and emphasizes new methodologies deployed in the study of postwar Italian art as a means to evaluate the current state of the field. Included are sixteen essays that each examine, from a different viewpoint, the issues, concerns, and questions driving postwar Italian art history. The editors and contributors call for a systematic reconsideration of the artistic origins of postwar Italian art, the terminology that is used to describe the work produced, and key personalities and institutions that promoted and supported the development and marketing of this art in Italy and abroad
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| Emner | |
| ISBN | 978-1-5013-3005-6
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