Popular music in Eastern Europe : breaking the Cold War paradigm /
edited by Ewa Mazierska.
Bok · Engelsk · 2016
| Medvirkende | |
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| Omfang | 311 sider : : illustrasjoner (sort/hvitt) ;
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| Opplysninger | Introduction: Popular Music in Eastern Europe: Breaking the ‘Cold War Paradigm’ - Ewa Mazierska -- Part 1: State Policies and its Interpretation by Grassroots -- 1. Propagated, Permitted or Prohibited? State Strategies to Control Musical Entertainment in the First Two Decades of Socialist Hungary - Ádám Ignácz -- 2. Pop-Rock and Propaganda during the Ceaușescu Regime in Communist Romania - Doru Pop -- 3. Estonian Invasion as Western Ersatz-pop - Aimar Ventsel -- 4. The Eagle Rocks: Isolation and Cosmopolitanism in Albania’s Pop-Rock Scene - Bruce Williams -- Part 2: The Function of ‘Gatekeepers’ -- 5. Censorship, Dissent and the Metaphorical Language of GDR Rock - David Robb -- 6. Folk Music as a Folk Enemy: Music Censorship in Socialist Yugoslavia - Ana Hofman -- 7. 'The Second Golden Age': Popular Music Journalism during the Late Socialist Era of Hungary - Zsófia Réti -- 8. Youth under Construction: The Generational Shifts in Popular Music Journalism in Poland of the 1980s - Klaudia Rachubińska and Xawery Stańczyk -- 9. The Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism - Marko Zubak -- Part 3: Eastern European Stars -- 10. Karel Gott: The Ultimate Star of Czechoslovak Pop Music - Petr A. Bílek -- 11. Czesław Niemen: Between Enigma and Political Pragmatism - Ewa Mazierska -- 12. Omega: Red Star from Hungary - Bence Csatári and Béla Szilárd Jávorszky -- 13. Perverse Imperialism: Republika’s Phenomenon in the 1980s - Piotr Fortuna. .
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| Emner | Popular music - History and criticism. - Former communist countries
vestlig populærmusikk historisk framstilling 1945-1999 Russland Øst-Europa |
| Dewey | |
| ISBN | 9781137592729 (hbk.) : : £66.99
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