| |
|---|
| Utgitt
| Cambridge : Polity press , 1995
|
|---|
| Omfang
| |
|---|
| Opplysninger
| Drawing on the theories of Adorno and Weber, Lonhurst examines the contemporary organization of the music industry, the social production of music, and the effects of technological change on production. The history and politics of popular music are discussed, as are the connections of polular music and sexuality. Issues such as authenticity, stemming from the debates around black music are addressed, and several different ways of studying the texts of polular music are reviewed.
|
|---|
| Dewey
| |
|---|
| ISBN
| |
|---|
