The Sage handbook of popular music
edited by Andy Bennett and Steve Waksmann
Bok · Engelsk · 2015 · Håndbøker
| Medvirkende | |
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| Utgitt | Los Angeles : Sage , cop. 2015
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| Omfang | XVI, 647 s.
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| Opplysninger | Part I Theory and Method; 1 The Many Worlds of Popular Music: Ethnomusicological Approaches; 2 Notes on Sociological Theory and Popular Music Studies; 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies; 4 (Re)generations of Popular Musicology; 5 Archival Research and the Expansion of Popular Music History; Part II The Business of Popular Music; 6 Power, Production and the Pop Process; 7 Intermediaries and Intermediation; 8 Popular Musical Labor in North America; 9 Music in Advertising in the US: History and IssuesPart III Popular Music History; 10 Grinding Out Hits at the Song Factory; 11 Popular Music Genres: Aesthetics, Commerce and Identity; 12 Live Music History; Part IV The Global and the Local; 13 African, African American, Middle Eastern and French Hip Hop; 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance; 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact; 16 Punk Rock, Hardcore and Globalization; Part V The Star System; 17 Rock Stars as Icons18 Everybody's in Show Biz: Performing Star Identity in Popular Music; 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop; 20 Dark Cosmos: Making Race, Shaping Stardom; Part VI Body and Identity; 21 Blurred Lines, Gender and Popular Music; 22 Popular Music, Race and Identity; 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion; 24 Shaping The Past of Popular Music: Memory, Forgetting and Documenting; Part VII Media; 25 In Print and On Screen: The Changing Character of Popular Music Journalism; 26 Sight and Sound in Concert? The Interrelationship Between Music and Television27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema; 28 Beyond Napster: Popular Music and the Normal Internet; Part VIII Technology; 29 Phonography and the Recording in Popular Music; 30 Ghosts of Electricity: Amplification; 31 Ubiquitous Musics: Technology, Listening and Subjectivity; Part IX Digital Economies; 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies; 33 Music, Copies and Essences; 34 Authorship, Ownership and Musical Appropriation; 35 Music Cartels and the Dematerialization of Power.
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| Emner | |
| Sjanger | |
| Dewey | |
| ISBN | 9781446210857
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