Recorded music : philosophical and critical reflections
edited by Mine Dogantan-Dack
Bok · Engelsk · 2008
| Medvirkende | |
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| Utgitt | Hendon : Middlesex University Press , 2008
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| Omfang | xvii, 374 s. : ill., mus. + 1 CD
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| Opplysninger | Works, recordings, performances: classical, rock, jazz / Andrew Kania. - Subject to a trace: the virtuality of recorded music / William Echard. - Variations on a theme of Nelson Goodman as arranged by Glenn Gould for the piano phonograph / Colin Symes. - Documentation and transformation in musical recordings / Theodore Gracyk. - Performing after recording / Anthony Gritten. - Phonography and the invention of sound / Marc Battier. - Donner l'illusion de la chose ecrite: reflections on recordings of organ improvisations / Michael Frith. - Stealing licks: recording and identity in jazz / Bruce Ellis Benson. - Acting on impulse!: recordings and the reification of jazz / Tony Whyton. - A sense of place: a sense of space / Tony Gibbs and John Dack. - Humanistic motivations in ethnomusicological recordings / Robert Reigle. - Faithful to his master's voice?: questions of fidelity and infidelity in music recording / Francis Rumsey. - Classical sound recordings and live performances: artistic and analytical perspectives / Dorottya Fabian. Distortions and masks: transmutation of the 'performing breath' in the studio take / Simon Trezise. - Recording the performer's voice / Mine Dogantan-Dack. Inventing memory: documentary and imagination in acousmatic music / John Young. - Deleuze and the sampler as an audio-microscope: on the music-historical and aesthetic foundations of digital micro-acoustic recording and EndoSonoScopy and the process of analysis and production / Sabine Schäfer and Joachim Krebs.
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| ISBN | 9781904750277
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