Music and Levels of Narration in Film
Guido. Heldt
Bok Engelsk 2014 · Electronic books.
| Annen tittel | |
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| Medvirkende | Eckhardt, Michael (Contributor)
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| Utgitt | Bristol : : Intellect, , 2014.
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| Omfang | 1 online resource (302 p.)
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| Opplysninger | Description based upon print version of record.. - ""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on �the viewer�""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The �historical author�: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"". - ""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. � and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. �Most melancholic of films� � Once Upon a Time in America""; ""e. Once Upon a Time in America � Three musical themes"". - ""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"". - ""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930s""; ""iii. The classical style: Night and Day, An American in Paris, Singin� in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"". - ""f. �I say it here and I deny it here�: Conclusions""""ii. Life�s troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany�s, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany�s"". - ""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music � some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options""
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| Emner | |
| Sjanger | |
| Dewey | |
| ISBN | 9781841506258
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