Inside Early Music : Conversations with Performers.
Bernard D. Sherman
Bok Engelsk 2003 · Electronic books.
| Omfang | 1 online resource (431 pages)
|
|---|---|
| Opplysninger | Intro -- Contents -- Preface and Acknowledgments -- Preface to the Paperback Edition -- Introduction: An Atmosphere of Controversy -- I. MEDIEVAL MUSIC, PLAINCHANT, AND "OTHERNESS -- A Different Sense of Time: Marcel Peres on Plainchant -- Selected Discography -- For Further Reading -- You Can't Sing a Footnote: Susan Hellauer on Performing Medieval Music -- Selected Discography -- For Further Reading -- 3. Vox Feminae -- Selected Discography -- For Further Reading -- 4. The Colonizing Ear -- Selected Discography -- For Further Reading -- Postscript: Medieval Music, Plainchant, and "Otherness -- II. THE RENAISSANCE, OXBRIDGE, AND ITALY -- There Is No Such Thing as a Norm -- Selected Discography -- For Further Reading -- Other Kinds of Beauty -- Selected Discography -- For Further Reading -- Singing Like a Native -- Selected Discography -- For Further Reading -- Postscript: Nationalism and Early Music -- Emotional Logic -- Selected Discography -- For Further Reading -- III. THE BAROQUE -- Consistent Inconsistencies -- Selected Discography -- For Further Reading -- One Should Not Make a Rule: -- Selected Discography -- For Further Reading -- Aladdin's Lamp -- Selected Discography -- For Further Reading -- Beyond the Beautiful Pearl -- Selected Discography -- For Further Reading -- You Can Never Be Right for All Time -- Selected Discography -- For Further Reading -- 14. At Home with the Idiom: William Christie on the French Baroque -- Selected Discography -- For Further Reading -- Triple Counterpoint -- Selected Discography -- For Further Reading -- IV. CLASSICAL AND ROMANTIC -- Restoring Ingredients -- Selected Discography -- For Further Reading -- Speaking Mozart's Lingo: Robert Levin on Mozart and Improvisation -- Selected Discography -- For Further Reading -- Taking Music Off the Pedestal: Roger Norrington on Beethoven -- Selected Discography.. - For Further Reading -- Postscript: "Classical" and "Romantic" Performance Practice in Beethoven -- Reviving Idiosyncrasies: John Eliot Gardiner on Berlioz and Brahms -- Selected Discography -- For Further Reading -- Reinventing Wheels: Joshua Rifkin on Interpretation and Rhetoric -- Selected Discography -- For Further Reading -- Epilogue -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.. - Preface and Acknowledgments Introduction: An Atmosphere of Controversy PART ONE: The Middle Ages, Plainchant, and "Otherness" 1. A Different Sense of Time-Marcel Peres on plainchant 2. You Can't Sing a Footnote--Susan Hellauer on performing medieval music 3. Vox Feminea--Barbara Thornton on Hildegard von Bingen 4. The Colonizing Ear--Christopher Page on medieval music Postscript: The Middle Ages, Plainchant, and "Otherness" PART TWO: The Renaissance, Oxbridge, and Italy The Modern "English Countenance" 5. There Is No Such Thing as a Norm--Paul Hillier on Renaissance sacred vocal music 6. Other Kinds of Beauty--Peter Phillips on Palestrina and the Tallis Scholars 7. Singing Like a Native--Alan Curtis, Rinaldo Alessandrini, and Anthony Rooley on Monteverdi; Afterword 8. Emotional Logic--Andrew Lawrence-King on instrumental music and improvisation PART THREE: The Baroque 9. Consistent Inconsistencies--John Butt on Bach 10. "One Should Not Make a Rule"--Gustav Leonhardt on Baroque keyboard music 11. Aladdin's Lamp-- Anner Bylsma on the 'cello (and Vivaldi) 12. Beyond the Beautiful Pearl--Julianne Baird on the Italian and English styles 13. You Can Never Be Right for All Time--Nicholas McGegan on Handel 14. At Home with the Idiom--William Christie on the French Baroque 15. Triple Counterpoint:--Jeffrey Thomas, Philippe Herreweghe, and John Butt on Singing Bach's Sacred Works PART FOUR: Classic and Romantic 16. Restoring Ingredients--Malcolm Bilson on the Fortepiano 17. Speaking Mozart's Lingo--Robert Levin on Mozart and Improvisation 18. Taking Music off the Pedestal--Roger Norrington on Beethoven Postscript: "Classical" and "Romantic" Performance Practice in Beethoven 19. Reviving Idiosyncrasies--John Eliot Gardiner on Berlioz and Brahms 20. Reinventing Wheels--Joshua Rifkin on Interpretation and Rhetoric. - Epilog.
|
| Emner | |
| Sjanger | |
| Dewey | |
| ISBN | 9780195343656
|
| ISBN(galt) |
