Dusty! : Queen of the Postmods.
Annie J. Randall
Bok Engelsk 2008 · Electronic books.
| Omfang | 1 online resource (236 pages)
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| Opplysninger | Intro -- Contents -- List of Illustrations -- Introduction -- Chicago, ca.1965-1966 -- Questions, Critical Contexts, and Methodology -- 1 Dusty's Hair -- Mod Icon -- White Queen of Soul -- Signifyin(g) -- Dustifying -- 2 Migrations of Soul -- Madeline Bell, Black Nativity, and Gospel's Transatlantic Leap, 1961-1963 -- Soul and Britpop in Dialogue -- Ready, Steady, Go! and Sounds of Motown: Soul on British National Television, 1965 -- "You Don't Have to Say You Love Me" -- DUSTY'S SOUL DREAM, 1968-1969 -- 3 Soul + Melodrama = The 1960s Pop Aria -- Audiences and the "Aesthetic of Excess" -- Compression at Work, Part One: The Pop Aria's Opening Seconds as "Establishing Shots" -- Lyrics and the Three-Minute Melodrama's Structure -- Compression at Work, Part Two: The Melodramatic Arc -- "You Don't Have to Say You Love Me": Physical Gesture and Dusty's "Own Style" -- Epilogue: Dusty and the Pop Aria after the 1960s -- 4 Dusty as Discourse -- Self- Discovery -- Virtuosity -- Identity, or Dancing with Discourses -- Legacy -- Appendix A: Major Record Releases and Events, 1961-1970 -- Appendix B: Index of People -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.. - Dubbed the "White Queen of Soul," singer Dusty Springfield became the first British soloist to break into the U.S. Top Ten music charts with her 1964 hit "I Only Want To Be With You"--a pop classic followed by many others, including "You Don't Have to Say You Love Me" and "Son of a Preacher Man." In this penetrating look at her music and career, Annie J. Randall shows how this middle-class former convent girl became perhaps the unlikeliest of artists to achieve soul credibility on both sides of the Atlantic.
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| Emner | |
| Sjanger | |
| Dewey | |
| ISBN | 9780199716302
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| ISBN(galt) |
